A number of you threw brickbats at me for sullying the high-art of ballet. To all of you, I virtually moon you.
Speaking of absurdities that pass for art, I also watched some time earlier a movie - nay, a musical - by the name of Les Miserables, whose pronunciation remains a mystery to me to this day.
No doubt this was a masterpiece by Victor Hugo, and I am certain it makes for gripping prose. But the minute it transcended into the musical genre, it went Twilight Zone.
Sure the acting was great, and the gaunt Hugh Jackman laid the male audience's insecurities to rest - at least initially, when he was gaunt. Russell Crowe played himself, i.e. a douchebag asshole. Anne Hathaway did some convincing numbers.
But why must they carry to absurd lengths the setting of everything to a tune? Yes, there are some nice songs - reasonable lyrics set to good music. But why, oh why, must even the quotidian banalities be sung? Can't Cosette simply call Jean "papa" instead of singing even those two syllables? I'm sure even Beethoven took breaks from composing.
But wait, anticipating the next round of brickbats, I do grant that I am being too harsh here. On second thought, I do realize the potential for immense daily pleasure this approach to life can offer.
Scene one: a ho-hum dinner in a middle-class 4-room HDB apartment. Imagine the following exchange, both lines sung to "So long, farewell" from the Sound of Music:
Ah Boy: Mama! Mama! I want to go and play-ay!
Mother: Sit down, shut up and eat your bah kut teh-eh!!
Father: ***** (fits nicely into "Cuckoo")
Scene two: flight from Singapore to India (any city)
Drunk passenger: AIR-hostess! AIR-hostess! (sung to the opening bars of Bicycle Race by the Queen)
(entire flight thumps on its collective tray)
Drunk passenger again: I want to have vis-KEE-so-da, I want to have it when I like! (sung to the mellow second line of the same song)
And when you see me next, please call me "Caustic Yoda" (sung to the tune of "Call me maybe"). Don't be shy, numbers welcome.